Why did some of the original Boozefighters refrain from having a bottle on their sweater?

Why did some of the original Boozefighters refrain from having a bottle on their sweater?

• A. They wanted to keep it simple and avoid appearances
• B. They preferred a different type of insignia
• C. They were concerned about the cost
• D. They did not find it stylish

Answer: (C)

The original Boozefighters Motorcycle Club (BFMC) members chose not to have a bottle on their sweaters primarily because they wanted to keep the insignia straightforward, emphasizing the club's identity and camaraderie rather than promoting alcohol consumption. The choice reflects a desire to present a unified front that transcended mere symbols of drinking. A simpler design allowed members to focus on their bond as riders while simultaneously avoiding any potential negative connotations associated with excessive drinking. The concern about cost is less relevant in this context, as the decision revolved largely around the club's ethos and identity rather than financial factors. The motivation for the choice was more aligned with the club's values and the image they wished to project to the world, prioritizing a sense of community over material or stylistic considerations.

The original Boozefighters Motorcycle Club (BFMC) members chose not to have a bottle on their sweaters primarily because they wanted to keep the insignia straightforward, emphasizing the club's identity and camaraderie rather than promoting alcohol consumption. The choice reflects a desire to present a unified front that transcended mere symbols of drinking. A simpler design allowed members to focus on their bond as riders while simultaneously avoiding any potential negative connotations associated with excessive drinking.

The concern about cost is less relevant in this context, as the decision revolved largely around the club's ethos and identity rather than financial factors. The motivation for the choice was more aligned with the club's values and the image they wished to project to the world, prioritizing a sense of community over material or stylistic considerations.